Tuesday, March 30, 2010

The best interpretation



all of the others of this prelude overdo the trills. I love the way he builds them here. from 8ths to triplets to 16ths. There's so much space in this interpretation.

I was teaching this last year to a student who has since quit but I'm addicted to it now. Chose it because of the fugue that follows (with supremely low volume), which my long lost friend happily referred to as the 'my socks are dirty' fugue.

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